The story unfolds in a pleasantly unexpected, deliberative way over the first few episodes. Okonedo is an actress who radiates warmth and decency, from “Hotel Rwanda” to her recent Broadway turn as Elizabeth Proctor in “The Crucible.” In her capable hands, Maya’s impassioned idealism is infectious, rather than preachy or tedious, even when she’s grandstanding in court or saying eye-roll-worthy things like “Guilt corrodes. Somewhere along the way, they fell in love. Maya, a socially conscious young lawyer, was involved with an anti-racist activist group that Nick was assigned to infiltrate. It turns out that, unbeknown to Maya, mild-mannered Nick, who happily plays second fiddle to his ambitious wife, is a former undercover cop living under an assumed identity.Īs Nick attempts with increasing desperation to keep Maya from discovering the truth, the series cuts back and forth between the present day and 1996 to tell the story of their meeting. The high-profile new job means heightened scrutiny for Maya and her family, and what should be a cause for celebration very nearly leads to disaster. ![]() Back in London, Sophie is approached about becoming the nation’s first black director of public prosecutions. ![]() What initially seems like it’s going to be an earnest critique of the death penalty – Rudy survives a grotesquely botched lethal injection, leaving his fate in legal limbo – quickly morphs into something unexpected.
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